Brian Faye And His Orchestra* - At The Sign Of The Swinging Cymbal (Vinyl)


Brian Faye And His Orchestra* - At The Sign Of The Swinging Cymbal  (Vinyl)


Skip to main search results. Eligible for free delivery. Delivery Day. Amazon AutoRip. Customer Review. New Arrivals. Music Format. Music Edition. Music Import. Amazon Global store. International Shipping. Depression-era listeners preferred more sedate pop arrangements to driving hot jazz numbers.

Binyon may have had a varied toolkit, but his bosses may have needed one specific device. The joy in listening to a sideman like Binyon is not just listening for when he pops up but what he gets to do. He was usually backing these singers alongside members of the same circle of top-notch New York musician that he would have known very well by this point.

He impressed Tommy and Jimmy Dorsey enough to land work with their band. It was around this time that Binyon also married his first wife, Polly. Seven years younger than Larry, she was born in Puerto Rico and living in Syracuse bybefore marrying Larry at some time before The steadier work and more regular hours of radio may have eased his transition to married life, or vice-versa. Binyon even had time for a trip to Bermuda though it is unclear whether it was for work, honeymoon or one last bachelor outing.

McDonough was an experienced, well-connected guitarist who had his pick of sidemen for the few sessions he ever directed during and At this stage, Binyon had the reputation as well as the chops to work in a variety of settings alongside some of the best players in New York. After close to twenty years of having his hands literally and figuratively full in New York City, Binyon moved to Los Angeles in Yet Binyon had also relocated to work as a recording contractor for the American Federation of Musicians.

A new home, warmer climate, and slower pace on the West Coast were probably a welcome change for him. Blowers actually secured the Harris date when he ran into Binyon in New York, who was on a vacation of all things. Blowers also notes that Binyon was still playing with West Coast bands, though it must have been less hectic than the New York scene. He seems to have stopped playing completely by His story fades even further after that decision: marriage to a second wife in Nevada in and then a third wife in California infollowed by a divorce two years later.

Larry Binyon passed away on February 10, followed by his brother Hugh in and then son Claude inboth of whom died childless. Other than personnel listings and occasional mention by his contemporaries, most of whom are now also gone, Larry Binyon has faded into the background behind more famous names. Had he stuck to one or even two instruments, it might have been easier for bandleaders and listeners to remember him.

American popular music is undeniable. Maybe Larry Binyon was simply exactly where he wanted to be. Mark Berresford has made countless hours of music possible for listeners across the globe. He began by collecting music as a teenager in his native England, also starting to write around that time.

The collector, historian and writer has helped me understand and enjoy this music since I first started listening to it, so I was thrilled to speak with him and find out more about his beginnings and hopes for the future. Andrew Jon Sammut: What was your entryway into collecting early jazz? Mark Berresford: I started collecting 78s when I was about eleven or twelve years old. I had been brought up with vintage music around me: my grandparents had a large radiogram full of music by Fats Waller, the Dorsey brothers, Glenn Miller and many Brian Faye And His Orchestra* - At The Sign Of The Swinging Cymbal (Vinyl).

As for writing, I started writing on early jazz when I was about sixteen years old. My English teacher at school was a keen jazz fan and played bass, and he encouraged me in my scribbling. There was so little about pre jazz available, either on LP or in books.

AJS: And now we have whole companies devoted to reissuing this music, such as Retrieval, Frog and Jazz Oracleand you have written extensive liner notes for these labels. Daviesexpressly to produce sensibly programmed reissues of the highest quality. Dave French started Frog in the early nineties with the same purpose, with Davies also doing the transfers.

Jazz Oracle was founded in the mid-nineties by Canadians Colin Bray an expatriate Englishman and John Wilby, once again with Davies, to do the same sort of thing with longer, glossier liner notes. I was twenty-one years old at the time. Apparently I already had a reputation as an early jazz champion, via my collecting taste as well as the articles I wrote in magazines such as The Gunn Report.

I really got involved in the reissue scene in the early nineties, when I became very friendly with John R. Davies and Chris Ellis at Retrieval.

I had known both of them for years, but as my collection grew they realized that I was sitting on a lot of material they could use, either as whole projects or to fill in the gaps of their collections for a project. As many of the projects centered on material I knew and loved, I also became the choice to write the liner notes. Of course, I also got to suggest projects that interested me too, and am still doing so! AJS: What criterion do you use when suggesting a project?

Do you see an overarching mission for these reissues? MB : I want to see a new audience exposed to unfamiliar or out of favor music. I also want to get established collectors and fans to go back and listen to material they had discounted, or perhaps never even bothered to listen to.

An American music teacher told me that he uses these as a core part of his teaching on American popular music history. It reissued over two thousand sides made in Europe by Black performers, all recorded before ! For instance, Black American singer Pete Hampton was the most prolific African American singer until Bessie Smith, and he died in without ever making a record in the United States!

Brian Faye And His Orchestra* - At The Sign Of The Swinging Cymbal (Vinyl) supplied many items from my collection. The final package was forty-four CDs, plus a three hundred page hardbound book that included photos of every record label and biographies of the artists involved.

It was limited to five hundred numbered sets worldwide. It was nominated in for a Grammy Award! That same determination to get recognition for overlooked performers also drove me to write my [ARSC award winning] bio-discography of clarinetist Wilbur C.

MB: The biggest obstacles in the past were the companies themselves, who always tended to be conservative, and wanted tried-and-tested material that guaranteed sales. Timeless was brave when it issued From Ragtime To Jazz, but the set has sold well. Needless to say Rich Martin and Meagan Hennessy are good friends now and we regularly work together. I am discussing an idea for a project with them as we speak. So much of his music points to things-to-come musically.

We can hear themes, ideas, and styles that will be picked up and carried and changed, and it is always better to know where one is coming from. People are surprised when they hear Gene Greene scat singing inor Black singer Ashley Roberts scatting in London in Another obstacle is that often little or nothing is known about a particular artist. I had to go back to square one, but I think people will now know a little more about Frank.

A lot of work goes into it, and a lot of burnt midnight oil! AJS: Have you ever come to any total dead-ends, or is it just a matter of time, energy and patience until you find something out about the artist? MB: Time will out! My website has been a boon: I upload photos of old bands and performers, and you would be amazed how many relatives find me this way!

Term What Jazz artist popularized electric guitar with horn like single line solos while playing with Benny Goodman? Definition Charlie Christian. Definition Billie Holliday.

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Term What was Thelonious Monk's instrument of expertise? Term Which band leader fused latin arrangements with bebop in his jazz big band, which included percussionist Chano Puzo? Definition Tito Puente. Term What was Miles Davis" instrument of expertise?

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